Antifa: Rise of the Black Flags

The true history of the anti-government extremist terrorist group's century of violence. Focusing on the group which has caused nationwide rioting and violence, The film – which undermines the mainstream media’s depiction of the group as “just an idea” – has already been censored by YouTube and Vimeo.

We Are Not Princesses

We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.

L'occhio di vetro

April 26, 1945. Ferruccio Razzini, fifteen-year-old from Pisa, fights in defense of the Italian Social Republic without knowing that Mussolini is already dead and that Italy has just been liberated. In his diary he tells the story of his father, a fervent fascist, and that of his two sisters, one married to a fascist and the other to a communist partisan. After Hit the Road, grandmother, Duccio Chiarini, with a refined stylistic code able to keep the narrative in balance between comedy and tragedy, investigates another side of the history of his family starting from the pages written by his great uncle.

The Fog of War

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

Caudillo

Caudillo is a documentary film by Spanish film director Basilio Martín Patino. It follows the military and political career of Francisco Franco and the most important moments of the Spanish Civil War. It uses footage from both sides of the war, music from the period and voice-over testimonies of various people.

White Terror

A video about Neo-Nazis originating in Sweden provides the starting point of an investigation of extremists' networks in Europe, Russia, and North America. Their propaganda is a message of hatred, war, and segregation.

Karl Merkatz - Vom Tischler zum echten Wiener

Documentary about the life and works of legendary Austrian actor Karl Merkatz.

Words for an End of the World

Spain, April 14, 1931. The Second Republic is born. From the beginning, the writer Miguel de Unamuno is considered one of the ethical pillars of the new regime. Five years later, on December 31, 1936, a few months after the outbreak of the Spanish Civil War (1936-39), Unamuno dies at his home in Salamanca, capital of the rebel side, led by General Francisco Franco, and main center of dissemination of its propaganda apparatus.

Syndrome K

Syndrome K is the true story about a highly contagious, highly fictitious disease created by three Roman Catholic doctors during the holocaust to hide Jews in a Vatican-affiliated hospital.

The Truth lies in Rostock

The Spanish Civil War

Documentary series which uses film and eyewitness accounts from both sides of the conflict that divided Spain in the years leading up to World War Two, also placing it in its international context.

Fricker's Trained Alsatians

1945 film that reveals the training that Alsatian dogs would have received for war as well as for non-combative work. (source: BFI, https://www2.bfi.org.uk/films-tv-people/565ce2f7cd29a)

Khawla's Goal

We Were Communists

Uninhibited examination of the legacy of Lebanon’s civil war. A reflection on the destinies of comrades who were once bound by ideologies and remain tightly knit friends. The film travels the chimeric and daunting reality of Lebanon's fractured post-war landscape.

Enemy Image

An examination of the how television news in the US has covered war from Vietnam to the present day

The Enclave

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.